- HAN SOLO EMPIRE STRIKES BACK MOVIE
- HAN SOLO EMPIRE STRIKES BACK FULL
- HAN SOLO EMPIRE STRIKES BACK TV
Everyone holds Star Wars films to an impossible standard, and maybe Solo failed because it was never meant to have been a film.
HAN SOLO EMPIRE STRIKES BACK TV
The TV shows are allowed to fail in a way the movies aren’t. No matter what fans think of Star Wars TV, the stakes are much smaller. Or, if Solo had been made as a streaming show in 2019 or 2020, it could have been seen as a breath of fresh air.ĭonald Glover in 2018. In fact, considering Han dies in The Force Awakens, having the next Star Wars film celebrate his life would have been a smart use of nostalgia. Maybe critics still would have been split, but it certainly wouldn’t have flopped. Had Solo come out in 2016 instead of Rogue One, it probably would have been a smash success. Asking them to switch gears to a fun Han Solo story just five months later proved there can be such a thing as too much Star Wars. The mainstream public had just invested their time and energy into a holiday film in which Luke Skywalker died. A general narrative emerged: Solo was coming out too soon, and its more nostalgia-focused elements were misaligned with the transgressive aspects of The Last Jedi. This tempest in a teapot shouldn’t have impacted ticket sales, but even if casual fans weren’t aware of this bickering, the news cycle became very focused on the idea of Star Wars exhaustion.
HAN SOLO EMPIRE STRIKES BACK FULL
So why did Solo flop? Well, in 2018, the toxic troll backlash to Last Jediwas in full swing. Han wants to be perceived as dangerous, but as Qi’ra (Emilia Clarke) correctly says, “You’re the good guy.” He shows Han as more nervous, overly excited, and even sweet.
This version of Han Solo doesn’t know how older Han behaves yet, so what Ehrenreich does is perfect. He doesn’t attempt to recreate Ford’s performance. He’s a serious actor, who like Hayden Christensen and Ewan McGregor before him, took on a near-impossible task. It’s been argued by critics, fans, and even some Lucasfilm big shots that the decision to recast Harrison Ford was at the heart of the film’s mixed reaction, but Ehrenreich is good here. Variety/Penske Media/Getty ImagesĪnd then there’s Alden Ehrenreich, the man destined to be known as the George Lazenby of Star Wars.
But it works.Īlden Ehrenreich, George Lucas and Ron Howard. It’s not perfect even casual fans can probably sense the patchwork feeling that resulted from the collision of whatever Miller and Lord were doing with Howard’s more traditional elements. The film managed to turn Lando’s odd pronunciation of “Han” ( Haaan) into a running joke, proving retcons can be fun. While the tone of the Miller and Lord version is unknowable, the Solo we got possesses that classic Star Wars wit. It was a romantic, retro film, although one that felt a little more adult when it came to its relationships.
HAN SOLO EMPIRE STRIKES BACK MOVIE
From an opening car chase to swashbuckling action and last-minute double-crosses, Solo is the most fun Lucasfilm movie since Indiana Jones and the Last Crusade. If fans of Miller and Lord’s Lego Movie were hoping for that film’s tone, what they got was the polar opposite, as Solo feels like a throwback Lucasfilm movie through and through. Having Ron Howard as the final director was a proxy for George Lucas himself the two had collaborated on projects like Willow. Much has been made about the firing of Solo’s first directors, Chris Miller and Phil Lord, and it would be easy to claim their dismissal robbed us of what could have been a much quirkier film.
The final script was a collaboration between Lawrence Kasdan and his son Jon Kasdan, but the concept is deeply rooted in Lucas’ ideas. After talking to Lucas, Kasdan only agreed to work on another Star Wars movie if it was the Han Solo origin movie. Lucas toyed with the idea of young Solo in Revenge of the Sith, then again in 2012 while working on the unproduced TV show Star Wars: Underworld. The idea of depicting young Han Solo had been kicking around since 2004.
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