In addition, the various synth solos thrown throughout really make it stand out above the original. It's much more distinct this time around. SuperSweep's Yosuke Yasui arranges "The Glacial Fortress" and really emphasizes the rhythm that made the original so great. The arrangements of said themes are also quite fantastic. However, the true strengths definitely lie in the stage themes. It features a nice pulsating rhythm and a fantastic melody that features a wide variety of synth sounds. The boss theme "Violent Guardian" is definitely fitting of the shmup genre. The game itself only features four stages and a single boss theme, but each one offers something totally different. It's energetic and really helps to set the pace. It's not a very strong theme, but when are title themes really that strong? The credits theme, "Road to the Future," is an upbeat theme featuring a strong futuristic melody however, the best part of the track has to be the underlying beat. The title music, "Planet of Hope," features a militaristic and spacey soundscape that caters to creating a bit of suspense. There are some great passages, throughout this varied piece, and I think how each one uses a different synth turns it into a much more engaging sound. It's a fast paced ride, very reminiscent of the 80's. The last stage theme, "The Warrior Factory," features a heroic, futuristic sound, reminding me of a lot of the older shmup soundtracks. While the A section relies a lot on frenetic passages, the B section slows things down a bit, and seems to focus more on a more subtle melody. It features some interesting sound effects, such as something that sounds like water dripping, but the overall tone and pace of the melody is bouncy, engaging music. The next stage theme, "The Place to Rebirth," is one of the more bubbly themes on the game. However, some of the surprises definitely include some jazz influences, mainly in the addition of some staccato piano chords. The piece itself is a nice mix of rock and futuristic synth. "The Escalated Invasion" meanwhile starts off much more subtly, with twinkling synth that continues throughout the intro. It's got a slightly industrial sound to it, that isn't too grating (not that I'd care), but the melody gives it a nice adventurous sound. The first stage, "The Glacial Fortress," features one of my favorite rhythms and melodies on the entire soundtrack. This review will only focus on the original and arranged versions. In addition to the original soundtrack, there is also a retro version of the soundtrack, one that emulates the arcade cabinets of old, and an arranged version of the soundtrack, by veteran members of Supersweep, Hiroto Saitoh, and Hiroyuki Iwatsuki. Although the soundtrack is rather short, given it's a short game, there are quite a few things to look forward to on the album. Originally, it wasn't going to get a soundtrack release, but thanks to the help of Manabu Namiki and SuperSweep, eventually a soundtrack was released. Composed by Hiroyuki Iwatsuki, a veteran composer for Natsume who has worked on games such as Chaos World, it's his first original title in many years. "Salmon Run Success Jingle No.Omega Five was a unique side-scrolling shmup released via Xbox Live Arcade in 2008. Sāmon Ran Seikō Jinguru Sono 3 (Okashira-mae) The songs from previous games that only play in the Battle Lobby and the jukebox are also absent, but other songs from previous games are featured (namely Cap'n Cuttlefish's Theme, Octoling Rendezvous, and all returning Salmon Run music). The Tricolor Turf War variant of " Splatfest – Match Opening" is absent from the soundtrack. The tracklist has been published on the My Nintendo Store in the Japanese region. Translations and romanizations need to be checked edit
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